L'Ombra Della Sera - L' Ombra Della Sera album download
Ombra della sera (Italian for "Shadow of the evening") is an Etruscan statue from the town of Velathri, later Volterra. It was first depicted in a 1737 collection of Etruscan antiquities. Similarities to the work of modern artist Alberto Giacometti have been frequently observed. The statue represents a nude male, 5. cm long (about 2. inches), with very elongated body but head in normal proportions. It is estimated by archaeologists to date from the third century BC.
Though L'Ombra Della Sera is only a three-piece, their music is often fleshed out with the addition of other instruments. Trumpet, saxophone, flute, and vocals will all make an appearance over the course of the album, and while Agostino Macor's massive keyboard palette is often enough to create a full arrangement, these other instruments are integral to the songs they are featured in. Whether it be a lovely flute solo or a wailing saxophone outburst, it always feels like a critical part of the music.
L'Ombra Della Sera by L'Ombra Della Sera, released 20 February 2013 1. Gamma 2. Ritratto di donna velata 3. La traccia verde 4. Il segno del comando (Cento campane) 5. Ho incontrato un'ombra (A blue shadow). Autographed by Fabio Zuffanti Includes unlimited streaming of L'Ombra Della Sera via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Members: Fabio Zuffanti. L'Ombra Della Sera (CD, Album, Gat).
Band: L'ombra Della Sera. com Tracklist: 01 – Gamma 02 – La Traccia Verde 03 – Il Segno Del Comando (Cento Campane) 04 – Ritratto di Donna Velata 05 – Ho Incontrato Un Ombra (A Blue Shadow). L’ombra Della Sera – L’ombra Della Sera (2012).
L'ombra Della Sera L’ombra della sera. Listen on Apple Music. Ho Incontrato Un'ombra. Released: Jul 21, 2012.
L'ombra Della Sera are a new project from prolific Italian soundsmith Fabio Zuffanti and his cohorts Maurizio Di Tollo and Agostino Macor from the modern symphonic outfit La Maschera Di Cera. The idea was to pay homage to those groovy Italian sountracks/tv themes from the 1970s by doing new interpretations using vintage instruments and techniques. It's a good album but personally I can't rate it higher, for as with nearly all Zuffanti projects there is just something missing that I long for in music. If I'm ever able to articulate precisely what that is, I'll get back to you.
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